Showing posts with label Bohemian. Show all posts
Showing posts with label Bohemian. Show all posts

Sunday, 28 November 2010

How To Spot Fake Czechoslovakian Bohemian Vintage Jewellery

Genuine vintage Czechoslovakian jewellery has a huge number of admirers and collectors worldwide. Nothing looks so good on a vintage summer dress than a perfect Bohemian brooch or string of Czech crystal beads. Or perhaps one of the increasingly rare pieces as shown above and below (from my personal collection).
About twenty years ago, it was obvious what was genuinely vintage Czechoslovakian (more correctly called Bohemian), for it is almost instantly recognizable at a glance, or rather used to be.
In case anyone still thinks that genuine Bohemian crystal necklaces come in only topaz or dark topaz, I am including some of my rarer pieces to make my point.  
It used to be that antique dealers of 'smalls' (ie small items including jewellery) used to derisively refer to Bohemian crystal as 'brass and glass'.  They soon changed their tune when these pieces started fetching more than three figures in auctions.

Now the waters are rather ‘muddied’ with a whole bunch of 'crafters', buying vintage Czech findings (the metal parts) and the stones, and making up what most of them are calling ‘genuine vintage Czech’ jewellery.

I call these 'wannabe' items Frankenstein Fakes. They are a hybrid, and again at a glance, it is often easy to detect them, if you are experienced, or follow a few guidelines. 
 The biggest giveaway that they are fake vintage, is that they often have asymmetrical (or unequal) dangles, and the motifs are more Chinese than Czech, with many over-embellished dragons and butterflies.  Here is a classic example of a Frankenstein Fake :
THIS IMAGE ABOVE IS OF A FRANKENSTEIN FAKE
Note the sideways on butterfly, the awful unbalanced design with the massive pink crystal dumped at the end of a wayward and misbegotten necklace.  
Whilst the seller claims that the findings come from a deserted warehouse in what is now the Czech republic, ALL of these elements, the beads, the metal parts, the chains and the crystals are ALL available to buy and the leading seller is the big bad EBAY.
If something is branded as Rolex or Gucci, Ebay are almost compelled to take action against fakes rather than face years and millions in legal costs. 
 With Bohemain fakes, and unscrupulous sellers, there is no one left to defend the intellectual or design rights for the unsung Bohemian craftsmen of past centuries.

But of course, there is nothing wrong with crafters making their own versions of ‘Czech’ jewellery, with vintage components, often bought from newly discovered old stock. But to name them genuine vintage Czech is misleading and inaccurate, but of very difficult to prove, if the seller refuses to be honest or has been mislead themselves.

Another way of spotting these fakes of the vintage jewellery world is the designs. They are very often miles away from 'classic' Czech and often combine motifs and colours which the Bohemian craftsmen of days gone by would never ever have used.



THIS IMAGE ABOVE IS OF A FRANKENSTEIN FAKE
This hideous monstrosity shown above, with the profile of an Egyptian and the head below it, is a classic example of fake overkill.  Presumably the seller has realized that genuine Egyptian pieces of Bohemian origin, produced around the time of the discovery of the tomb of King Tut do command high prices.  
But not in a Bohemians worst nightmares would an Egyptian inspired necklace ever have looked like this.
This seller claims  "Items are recently imported from Czechoslovakia, they were made between 1915 and 1930 by the Gablonz Jewelry Company."  
Whether this seller is being ignorant or deceptive is hard to tell.  But at present she (based in the USA) has more than thirty of these Frankenstein Fakes up for sale.

I have now posted two images as examples of Frankentstein Fakes, all in a small size.  ALL of the other examples are from Bohemia and all of them are from my personal collection.  There are plenty more which will be photographed and added here over time.  And yes, some do feature butterflies and Egyptian themes.
In the interests of balance, I should say that there is only one example I have ever seen, which really did look like an original old Bohemian necklace but the seller was upfront and honest about the genesis of the necklace. Had she not been, I would have been hard pushed to tell the difference at first glance. 

The style was correct, the colour was correct, and the materials were correct. The only giveaways were that the clasp was modern gold plated, a spring ring, and rather small for the size and weight of the necklace. Another clue was that the thread used was modern 'tiger -tail'.

But how is a novice collector, who maybe was not around twenty years ago, or who only just discovered the wonder of Bohemia and Czech jewellery to know what is genuine and what is simply fake?

There are very few books on the market detailing the production of Czech jewellery.  Those I have are extremely interesting, and detail just how the artisans of Bohemia missed out big-time on being recognised for what they were, pioneers and craftsmen of great worth to the vintage costume jewellery business.  In my view, the author is very methodical but is not a native English speaker, so much of the facts come over as garbled.
There are other ways that Bohemian or Czech vintage costume jewellery is faked, and that she be the subject of my next post.
Just be warned and AVOID any glitzy over the top jewellery which is stamped  'Lillien' especially if they are being sold by someone who lives in France.

Thursday, 25 November 2010

Vintage Costume Jewellery Owes Bohemia A Giant Debt


Without the contributions of the craftsmen of bohemia, the world of Vintage costume jewellery would be very different.  For five hundred years (probably longer) the greatest manufacturers of costume jewellery have been ignored, tucked away in the heartland of Europe.  Their work has not been credited and is conveniently dismissed by some.
I am talking about the artisans of Bohemia, that country of many names, who provided the world with designs and materials far ahead of their times and yet who today remain largely ignored and forgotten.
It is my experience that North Americans who are inordinately proud of their vintage costume jewellery heritage, pay little respect or waste little admiration upon the unseen heroes of Gablonz and the surrounding regions. Do any Americans know for example that Daniel Swarovski came from Gablonz?
Giving them the benefit of the doubt, let us say that they do not know that findings, components and parts for costume jewellery, were shipped by the ton to highly respected makers of vintage costume jewellery throughout the world – including in large part the United States of America.
 Because the components (and the jewellery itself) was rarely marked, these providers of parts to the likes of the much revered Miriam Haskell (for example) remain ignored, hidden and little appreciated. 

 One would assume that North America, being such a very young country itself, would revel in the fact that the people providing the elements for their esteemed costume jewel makers were mostly from Bohemian glass dynasties who were around for centuries – hundreds of years (unlike America itself).
It is an even greater tragedy that the ‘authorities’ of Germany lead by the leader of what was called the “National Socialist Party” during World War II, deemed it necessary to expel these artisans from their homeland and disperse their expertise. 

Hitler himself derided the ‘trinkets’ produced by craftsmen of this area, which in itself showed him to be entirely ignorant of ecomonic facts since ‘bijouterie’ production made a huge income for the region.
The more I read about how the ‘National Socialist’ party of the Third Reich effected the production of costume jewellery, the more disgusted I am.   The company of Jakob Bengal was forced to carry on its trade ‘under the radar’ of the Third Reich for fear of retribution.  
The extermination camps of Nazi Germany were responsible for wiping out the Neiger family, Gablonzer craftsmen of the highest order and great contributors to costume jewellery.

Lovers of vintage costume jewellery should forever mourn the loss of these exceptional craftsmen and women, the like of whom the world will never see again.   
At the very least, they should accept and appreciate the huge contribution that the Gablonzers and artisans from Bohemia gave to designers of vintage costume jewellers worldwide. 


Tuesday, 23 November 2010

Vintage Bohemian Satin Glass Costume Jewellery


Here is another term which seems often misunderstood and seems to means different things in different places and to different people.


First it may be easier to tell you what it is not.  In North America, ‘Satin Glass’ seems to mean glass which has had a treatment to remove the shine from the surface of the glass so it is translucent rather than transparent.  If applied in only a small part of a pane of glass, then apparently it would then be called ‘etched glass’.  This would be the type of window glass used in restrooms or bathrooms to provide privacy.

The satin glass which I am going to try to explain today is classic Bohemian glass, used in making beaded necklaces, brooches and ear rings or locally called ‘bijouterie’.  The glass appears to have a non-transparent look but that is not due to any surface treatment.  Rather, it is due to millions of tiny air bubbles being trapped within the glass itself which I have always rather thought of as ‘whipped glass’.



Whilst trawling my reference books for information, I find that one source states categorically that “It came in white, pink, green and yellow”.  Since I own several pieces of other colours (including blue), I know that this list is not all encompassing but it is a start.

 It’s probably better to get other misconception out of the way too, that is that white satin glass has ground mother of pearl or mercury added to it.  It is true that the white version of Bohemian satin glass does look a little like mother of pearl.  It is also sometimes called ‘Moonstone’ coming from the German for that word, being ‘mondscheinglas’.  But it most certainly does not have mercury added nor ground mother of pearl.

 Another source says that “Generally the glassworker uses special satin glass canes which include an opaque half and a transparent half”.  Somewhere else someone states that the canes (one opaque and one transparent) were twisted together to produce unique combinations of swirly opaque coloured glass.  This does sound probable for press moulded items, such as pendants of pressed glass which may have a design stamped into the glass.

 But this explanation does not seem to hold true for individual beads.  Unless the lampworker takes a gather (or blob) of molten glass from the molten end of one of these twisted canes and then proceeds to wind individual beads from that cane.

By using the word ‘generally’ the person quoted above seems to be saying that this is not the method in every case.  Which would lend credence to the individually wound beads which are so obvious in the images I show here.

This same author credits the artisans of Gablonz with the creation of this specific type of glass, which they called ‘seidenglass’ (Satin Glass) in the 1800’s.  My feeling is that this glass was developed by the Gablonzers long before this time, but as yet, I cannot substantiate it.  Given the bijouterie makers in that region went back to the 15th century, it seems unlikely to me that they had not discovered or even stumbled upon this form of glass.

According to the same source, it was in the late 1800’s when satin glass was financially the most successful for the economy of Gablonz.  Perhaps illuminating the earlier generalisation, the author goes on to state that almost all of the large composition makers went on to develop their own type of satin glass.  The varieties were apparently so different that patents were taken out as protection.


Some of the businesses who held patents for satin glass include the Brosche company (1910), as well as the Konrad Dressler and Eduart Redlhammer companies who each successfully produced their own version of satin glass.

One thing is for certain.  Bohemian satin glass beads, brooches and vintage costume jewellery are very misunderstood by many people.  Fortunately that does not detract from the sheer beauty and tactile look of this exquisite form of vintage jewellery.